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Super Fuzz
The Greatest Superhero Film You've Never Seen!
(review for 4colorreview)
The history of Italian cinema encompasses some of the greatest, most accomplished and most influential films ever created. From silent epics that rivaled, in spectacle and content, those of D.W. Griffith and Sergei Eisenstein to the post-World War II neo-realism movement that gave us such noted directors as Vittorio DeSicca and Roberto Rosselini to some of the true masters of 60s and 70s world cinema: Michaelangelo Antonioni, Frederico Fellini, Pier Pasolini, Sergio Leone, etc. 
However, it's a little known fact that out of this creative,
nourishing country that gave us the Roman empire, the Renaissance, the
Mafia and the starchiest food imaginable, was created one of the greatest...no,
THE greatest superhero film ever made: Super Fuzz. Forget
Superman. Forget X-Men. Forget Superman
II. Forget Batman Returns. Forget Unbreakable.
Even forget Superman IV. Now remember the only name
and the name only- Super Fuzz.
You may have heard whisperings in dark corners, behind
your back and under flickering streetlights at dusk. You may even recall
snippets of memory concerning it somewhere inside your clouded smatterings
of childhood. A collected consciousness of digitally and politically
suppressed sentient information has broken out of its encoded shell.
Even Jason "Bah Humbug" Baldwin gave it a shout out. Now,
the secret is out. And that secret, is Super Fuzz.
Nice guy cop Dave Speed (Terence Hill) is canoeing through
the Florida Everglades in order to serve up a parking ticket. However,
little does Dave know that where he's canoeing is right near NASA's
testing ground. NASA thinks they've cleared everyone out of the area
so they go ahead with the test. Dave's partner (Ernest Borgnine) tries
to tell Dave to split, but to no avail. Dave is caught in the blast
and dowsed with powerful and dangerous radiation.
As the sharper ones among you probably already guessed, Dave is blessed
with superpowers after absorbing the radiation. Powers which include,
but are apparently not limited to: telekinesis, the ability to see the
future, running really really fast, manipulating time and space and,
most importantly, the ability to make an obvious P.O.S. like Super Fuzz
disturbingly entertaining.
The problem is that no one believes that Dave has powers. Not even Ernest
Borgnine! Not even Dave's girlfriend, who isn't overwhelmingly pretty...but
skanky-sexy enough to be a porn star! It seems that whenever Dave sees
red, his powers turn off and red conveniently shows up whenever he tries
to show his powers to someone he cares about. Dave's attempts to break
a counterfeit ring fail and soon enough, our hero finds himself in the
most overused comic book movie plot of all time. He's framed for crimes
he didn't commit. And, as in most great Italian movies, Dave Speed dies
an agonizing, useless, poetic and anonymous death, forcing the audience
to rethink how they feel about the world and life in general. Well,
actually, Super Fuzz escapes jail and rescues a frozen Ernest Borgnine
from a sunken ship by blowing a giant bubble out of bubblegum and floating
them both out of the ocean. YEAH!
The peculiarly accented Terence Hill, star of the "Trinity"
series of spaghetti western parodies, mugs generously and a severely
slumming Ernest Borgnine (somebody owed SOMEBODY a favor, eh?) overacts
in every every EVERY single scene he's in. The best is imagining that
Borgnine actually thought he was in a great movie ("Man, Super Fuzz
is going to be HUGE! Condorman huge!"). Hey, at
least he's trying. What it all adds up to is that rare crapfest that
you can't take your eyes off of and a ludicrous night of nostalgic,
inexplicable entertainment for idgits like myself.
Finally, Super Fuzz holds an interesting place in the
canon of auteur director Sergio Corbucci in that it's maybe his only
film. It's hard to believe after viewing Super Fuzz,
but apparently there was no place in Hollywood for the esteemed talents
of Mr. Corbucci. Maybe Hollywood just wasn't ready for Super Fuzz.
Maybe Super Fuzz was just too ahead of its time. Maybe
Super Fuzz scared Hollywood. Maybe Corbucci was just too damn good for
Hollywood. Maybe it's because Super Fuzz looks like it was filmed in
a parking lot or that it's about one step away from being a truly great
porno. It could be any of those reasons. Sadly, we'll never know. Corbucci
was chewed up and spit out by the Hollywood machine like so much fried
calamari a la fusilli pesto.
Supah-Supaaah!
© 2002 Andrew Duncan | All rights reserved
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